The Presidential order that Donald Trump signed on Friday barring all refugees and citizens from seven Muslim countries from travel to the United States was reviewed by virtually no one. The State Department did not help craft it, nor the Defense Department, nor Justice. Trump’s Secretary of Homeland Security, John Kelly, “saw the final details shortly before the order was finalized,” CNN reported. Early Saturday morning, there were reports that two Iraqi refugees had been detained upon their arrival at John F. Kennedy Airport. When a lawyer for the men asked an official to whom he needed to speak to fix the situation, the official said, “Ask Mr. Trump.” This sounded like a sign of straight goonery and incipient authoritarianism; maybe it was. But it also may have been the only reasonable answer. Few people understood what was going on.
That night, as darkness enveloped the family’s three-story mud-brick compound, Wasil’s uncles shuffled Hamidullah’s bloodied corpse inside. The boy drew close, his cheeks wet with tears. In the low light, he could see the blood that stained his father’s clothes. He was a child, yes, but he knew enough of his world to realize, without even asking, who had killed his father. And he knew what it meant for him.
In the weeks that followed, Wasil’s anger hardened into a grim and brutal ambition—one that would launch him toward fame and then toward tragedy. “Teach me how to shoot,” Wasil said to his uncle Samad when he had resolved himself to retribution. “I want to kill my father’s killer.”
In the language of hydraulic engineering, the process eroding the foundation is known as “solutioning.” If that problem is not addressed, what happens next is “piping”: water begins to travel between the voids, moving horizontally beneath the dam. To illustrate, American engineers have devised a triangular chart. The process begins, at the apex, with solutioning, advances through cavity formation and piping, and ends with core collapse and, finally, dam breach—like a Florida sinkhole opening up, unannounced, beneath a shopping center. Engineers jokingly refer to the chart as the “triangle of death.” Schnittker told me, “Once piping begins, there is no going back. In twelve hours, the dam is gone.”
President Jimmy Carter’s national-security adviser, Zbigniew Brzezinski, was asleep in Washington, D.C., when the phone rang. His military aide, General William Odom, was calling to inform him that two hundred and twenty missiles launched from Soviet submarines were heading toward the United States. Brzezinski told Odom to get confirmation of the attack. A retaliatory strike would have to be ordered quickly; Washington might be destroyed within minutes. Odom called back and offered a correction: twenty-two hundred Soviet missiles had been launched.
Brzezinski decided not to wake up his wife, preferring that she die in her sleep. As he prepared to call Carter and recommend an American counterattack, the phone rang for a third time. Odom apologized—it was a false alarm. An investigation later found that a defective computer chip in a communications device at NORAD headquarters had generated the erroneous warning. The chip cost forty-six cents.
There was a canopy of leaves over my head. Once I moved beyond it, the moon lit my path, so I turned off the flashlight. I’d expected Carol to be gone by that point, but for the next half mile, all the way home, she walked with me, sometimes by my side and sometimes a few steps ahead, leading the way. No cars approached or passed. The road was ours, and we marched right down the center of it, all the way to the front of the house and then through the garden gate to the kitchen door. Just me and my wild friend Carol.
July 2011 :
That evening, we went to George’s, Iowa City’s Qasabji: a dim, narrow bar of perpetual darkness. We met friends who still lived in town and drank and talked late into the night. “I think now, in Syria, we have a very new idea,” Khaled told me. “Now I’m writing my new novel. I have been writing for four years. But now, I will rewrite it, because I feel it is old writing. We have a new time, and new ideas, not just for writing but for the people too. Now we can understand our people. We are talking about this with young writers. What will be the future, I ask. You must be better. Because after the revolution you have new ideas about writing and about all art. We will have new ideas.”
In an extraordinary irony, the 100 trillion dollar note – a symbol of financial mismanagement on a colossal scale – has turned into one of the best-performing asset classes of recent years.